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The Power of Omission

Writer's picture: Neil GordonNeil Gordon

Mastering Flash Fiction

Brevity is the heart of Flash Fiction. Ernest Hemingway’s Iceberg Theory teaches that the deepest truths in a story should remain beneath the surface, implied rather than stated. By stripping away excess and allowing meaning to emerge through action, setting, and subtext, writers craft stories that resonate long after the last word is read.


1. Subtext Speaks Louder Than Explanation

Rather than announcing emotions or themes, let them breathe through small but telling details.

✅ She stirred her coffee, though it had long gone cold.

❌ She felt lonely, sitting by herself in the café.


2. Trust the Reader to Fill the Gaps

Hemingway believed that what is left unsaid holds as much weight as what is written. Flash Fiction thrives on this principle.

✅ He ran his fingers over the photograph’s frayed edges before slipping it back into his wallet.

❌ He missed her terribly but didn’t want to admit it.


3. Concrete Details, Abstract Meaning

A single image can convey an entire emotional landscape. Flash Fiction relies on precision—one striking detail can carry the weight of a paragraph.

✅ The wilting plant leaned toward the dusty window, leaves curling inward.

❌ She felt like her life was slipping away, stagnant and neglected.


4. Dialogue: The Spaces Between the Words

What characters don’t say is often more revealing than what they do. Let dialogue hint at tension, history, or regret.

✅ “It’s fine, really.” She wouldn’t meet his eyes.

❌ She was hurt, but she didn’t want to argue with him about it.


5. Revision: Cut to the Core

Flash Fiction demands ruthless editing. Strip away what’s unnecessary, and let the essential details stand strong.

✅ Waves slammed against the rocks, spraying salt into the wind.

❌ The storm was fierce and violent, with huge waves crashing against the rocks and sending sea spray into the air.


By wielding omission with intent, Flash Fiction writers can create stories that linger in the mind, engaging the reader as an active participant in uncovering meaning. Less isn’t just more—it’s everything.

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